models- Constance Knights + Maximilian Raynor
I am greatly pleased with my final shoot. I am confident that my decision to contrast the luxury looking 'upper class' pinstripe material with the location of derelict council flats is effective. The 'unisex' nature of the pieces has arisen naturally- I don't feel it too necessary to focus on this, with gender fluidity in fashion quickly becoming a norm. The fact both a woman and man can wear my final look also works with the theme of structure because it explores equality in that neither gender/sex is being more sexualised or domesticated than the other through their clothing; neither looks more or less empowered than the other.
I am greatly pleased with my final shoot. I am confident that my decision to contrast the luxury looking 'upper class' pinstripe material with the location of derelict council flats is effective. The 'unisex' nature of the pieces has arisen naturally- I don't feel it too necessary to focus on this, with gender fluidity in fashion quickly becoming a norm. The fact both a woman and man can wear my final look also works with the theme of structure because it explores equality in that neither gender/sex is being more sexualised or domesticated than the other through their clothing; neither looks more or less empowered than the other.
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